Future Blues

Performer: Canned Heat
Engineer: Tommy Oliver
Producer: Skip Taylor; Canned Heat
Distributor: E1 Distribution (USA)

Notes: Personnel: Alan Wilson (vocals, guitar); Bob Hite (vocals); Harvey Mandel (guitar); Dr. John, Ernest Lane (keyboards); Adolfo de la Parra (drums). Audio Mixer: Tommy Oliver. Recording information: Annex Studios; International Sound Studio. Photographer: Skip Taylor. The final Canned Heat album to feature co-founder Alan Wilson, Future Blues was also one of their best, surprisingly restrained as a studio creation by the band, the whole thing clocking in at under 36 minutes, as long as some single jams on their live discs. It was also one of their most stylistically diverse efforts. Most of what's here is very concise and accessible, even the one group-composed jam -- Alan Wilson's "Shake It and Break It" and his prophetically titled "My Time Ain't Long" (he would be dead the year this record was issued), which also sounds a lot like a follow-up to "Going up the Country" until its final, very heavy, and up-close guitar coda. Other songs are a little self-consciously heavy, especially their version of Arthur Crudup's "That's All Right, Mama." Dr. John appears, playing piano on the dark, ominous "London Blues," and arranges the horns on "Skat," which tries for a completely different kind of sound -- late-'40s-style jump blues -- than that for which the group was usually known. And the band also turns in a powerhouse heavy guitar version of Wilbert Harrison's "Let's Work Together." ~ Bruce Eder

Rolling Stone (12/2/70, p.54) - "...if you're a Canned Heat fan, you'll find this record right up there with their finest..."

One of the premier blues bands of the 1960s, Canned Heat's boogie-tinged take on the style reached a wide audience following its appearance at Woodstock. The band grew more popular after being prominently featured in the subsequent WOODSTOCK documentary film and on the companion album. Although they never achieved superstar status, Canned Heat's influence can be heard in a wide variety of bands--from ZZ Top to Phish--who place a shuffling, bluesy groove front and center.

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