Chicago VI [Bonus Tracks] [Remaster]

Performer: Chicago
Artist: Al Green
Engineer: Wayne Tarnowski
Producer: James William Guercio
Distributor: WEA (Distributor)

Notes: Chicago: Terry Kath (vocals, guitar); Robert Lamm (vocals, keyboards); Lee Loughnane (vocals, trumpet); Peter Cetera (vocals, bass); James Pankow (trombone); Walter Parazaider (woodwinds); Danny Seraphine (drums). Additional personnel: J.G. O'Rafferty (pedal steel guitar); Laudir De Oliveira, Joe Lala (congas). Recorded at Caribou Ranch, Nederland, Colorado in February 1973.Includes liner notes by Don Heckman. All tracks have been digitally remastered. Personnel: Terry Kath (vocals, guitar); Lee Loughnane (vocals, trumpet); Robert Lamm (vocals, keyboards); Peter Cetera (vocals); Walter Parazaider (woodwinds); James Pankow (trombone); Daniel Seraphine (drums); Joe Lala, Laudir DeOliveira (congas). Audio Mixers: David Donnelly; Phil Ramone; Jeff Magid. Audio Remasterer: David Donnelly. Liner Note Author: Don Heckman. Recording information: Caribou Ranch, Nederland, CO (02/??/1973-06/27/1973). Photographers: Barry Feinstein; Hugh Brown. This is the sixth album from the jazz/pop/rock combo Chicago, and was likewise the first to be recorded at the plush, well-lit, and custom-built Caribou Studios in Nederland, CO. The facility was owned and operated by the band's manager and producer, James William Guercio, and eventually became the group's retreat for their next five (non-compilation) long-players. Another and perhaps more significant change was the incorporation of several "outside" additional musicians -- most notably Laudir De Oliveira (percussion), who would remain with the band for the next seven years and eight LPs. Although Chicago had begun as a harder-edged rock & roll band, popular music styles were undergoing a shift during the mid-'70s into a decidedly more middle-of-the-road (MOR) and less-aggressive sound. This is reflected in the succinct pop and light rock efforts, contrasting the earlier lengthy and multi-movement epics that filled their earlier works. Nowhere is this more evident than on Chicago VI's (1973) two Top Ten singles: the easygoing James Pankow (trombone) ballad "Just You & Me" as well as the up-tempo rocker "Feelin' Stronger Every Day," which Pankow co-wrote with Peter Cetera (vocal/bass). This more melodic and introverted sensibility pervades the rest of the disc as well -- especially from Robert Lamm (keyboard/vocals), who is particularly prolific, penning half of the material on the disc. Even his sardonically titled "Critics' Choice" -- which is undoubtedly a musical rebuttal to Chicago's increasingly negative critical assessment -- is a languid and delicate response, rather than a full-force confutation. "Darlin' Dear" -- another Lamm contribution -- on the other hand, is a horn-fuelled rocker that actually recalls Little Feat more than it does most of Chicago's previous sides. Compositions from other bandmembers include the heartfelt Terry Kath (guitar/vocals) ballad "Jenny," which features some fluid fretwork much in the same vein as that of Jimi Hendrix's "Angel" or "Castles Made of Sand." Additionally, Peter Cetera's (bass/vocals) "In Terms of Two" includes a more down-home and countrified acoustic vibe. While Chicago VI is an undeniably strong effort -- supported at the time by its chart-topping status -- many bandmembers and longtime enthusiasts were beginning to grow apart from the lighter, pop-oriented material. ~ Lindsay Planer The album on which Chicago fully dropped its early jazz-rock roots and went strictly pop, 1973's CHICAGO VI features two of the band's finest singles, the romantic "Just You 'N' Me" and the uplifting "Feelin' Stronger Every Day," along with a solid set of album tracks. Although Robert Lamm's solo piano ballad "Critics' Choice" reveals a thin skin concerning the group's poor reviews from the hipster press, Terry Kath's "What's This World Coming To" and Lamm's dreamy "Something in This City Changes People" are nearly as strong as the big hits. Elsewhere, the country-fried "In Terms of Two" proves an interesting stylistic detour. Chicago has always been a definitive singles band, but those looking to explore their catalogue beyond the hits should check out this excellent release. This is the sixth album from the jazz/pop/rock combo Chicago, and was likewise the first to be recorded at the plush, well-lit, and custom-built Caribou Studios in Nederland, CO. The facility was owned and operated by the band's manager and producer, James William Guercio, and eventually became the group's retreat for their next five (non-compilation) long-players. Another and perhaps more significant change was the incorporation of several "outside" additional musicians -- most notably Laudir De Oliveira (percussion), who would remain with the band for the next seven years and eight LPs. Although Chicago had begun as a harder-edged rock & roll band, popular music styles were undergoing a shift during the mid-'70s into a decidedly more middle-of-the-road (MOR) and less-aggressive sound. This is reflected in the succinct pop and light rock efforts, contrasting the earlier lengthy and multi-movement epics that filled their earlier works. Nowhere is this more evident than on Chicago VI's (1973) two Top Ten singles: the easygoing James Pankow (trombone) ballad "Just You & Me" as well as the up-tempo rocker "Feelin' Stronger Every Day," which Pankow co-wrote with Peter Cetera (vocal/bass). This more melodic and introverted sensibility pervades the rest of the disc as well -- especially from Robert Lamm (keyboard/vocals), who is particularly prolific, penning half of the material on the disc. Even his sardonically titled "Critics' Choice" -- which is undoubtedly a musical rebuttal to Chicago's increasingly negative critical assessment -- is a languid and delicate response, rather than a full-force confutation. "Darlin' Dear" -- another Lamm contribution -- on the other hand, is a horn-fuelled rocker that actually recalls Little Feat more than it does most of Chicago's previous sides. Compositions from other bandmembers include the heartfelt Terry Kath (guitar/vocals) ballad "Jenny," which features some fluid fretwork much in the same vein as that of Jimi Hendrix's "Angel" or "Castles Made of Sand." Additionally, Peter Cetera's (bass/vocals) "In Terms of Two" includes a more down-home and countrified acoustic vibe. While Chicago VI is an undeniably strong effort -- supported at the time by its chart-topping status -- many bandmembers and longtime enthusiasts were beginning to grow apart from the lighter, pop-oriented material. The 2002 CD reissue includes two additional sides: a Kath demo of the unissued track "Beyond All Our Sorrows" and the undisputed highlight of the CD, a duet between soul vocalist Al Green and Chicago on Green's "Tired of Being Alone." The latter is derived from the prime-time television special Chicago in the Rockies -- which was produced by Phil Ramone and has been re-broadcast on various music-intensive cable TV networks, such as VH1. ~ Lindsay Planer

Chicago was the longest-running and most commercially successful of the hordes of jazz-rock bands with horn sections that sprang up in the late-1960s wake of Blood, Sweat & Tears. After myriad personnel changes (including the death of founding guitarist Terry Kath due to a self-inflicted gunshot wound), Chicago eventually mutated into a more conventional pop group that was able to score hit after hit well into the '80s, usually with romantic ballads. They remain among the best-selling American bands of all time. In the mid 1990s they briefly returned to their roots with an album of big band-era standards given the Chicago treatment.

Click Here for Shipping Options and Policies

Shipping or Dimension weight in pounds: 0.25