Jimmy Cliff [2002 Bonus Tracks] [Remaster]Jimmy Cliff
Release Date: 08/06/2002
Original Release:
1969
# of Discs:
1
J&R Item # 91190_CD
UPC # 060768030923
Label: Sanctuary (USA)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Jimmy Cliff
Producer: Leslie Kong Distributor: Universal Distribution Notes: Personnel includes: Jimmy Cliff (vocals). Includes liner notes by Laurence Cane-Honeysett. All tracks have been digitally remastered. Liner Note Author: Laurence Cane-Honeysett. In 1968, Island Records released Jimmy Cliff's debut album, Hard Road, swiftly following it the next year with a self-titled full-length set (retitled Wonderful World, Beautiful People for U.S. release). Under any name it was a superb set, one that would further bolster Leslie Kong's reputation as the producer with the golden touch. Of all the early Jamaican label heads, it was Kong who garnered the most chart action, raising the likes of Desmond Dekker, the Maytals, and Cliff, of course, to international stardom. In the late '60s, Kong's session band, Beverley's All Stars, comprising members of Gladdy's All Stars and other local luminaries, were laying down some of the most delectable reggae to be heard on the island. Their sound, however, was buttressed with sympathetically applied symphonic overdubs, adding a further lushness to the band's own lavish style. The musicians positively glowed on this set, assisted by Cliff's own strong and infectious melodies. "Many Rivers to Cross" would later resonate across The Harder They Come movie and soundtrack, while "Wonderful World" and "Vietnam" were both destined for international chart success. Many more of the album's tracks could have joined them, and in Jamaica, they did. "Suffering in the Land," "Hard Rock to Travel," (reprised from Cliff's previous set), and "Come into My Life" would all spin successfully on 45 on the island as well. As magnificent as the music was, lyrically it was arguably even stronger, with Cliff chomping at the bit to show off his talent with the pen. Sweeping across universal themes, sufferer's songs, and romance, Cliff is the master of the school of hard knocks, imparting an optimistic message of overcoming the odds with finesse. This reissue reproduces the album in full and adds another seven numbers to further sweeten the set. Some, including "Give a Little, Take a Little" and "My World Is Blue" were originally Jamaican singles; a pair of numbers -- "Those Good, Good Old Days" and "Better Days Are Coming" -- were pulled from Cliff's 1974 Struggling Man album. A clutch showcase the singer's R&B side, others his more Jamaican styling. And although a few feel a bit out of place here, recorded as they were years later, fans won't mind a bit. ~ Jo-Ann Greene In 1968, Island Records released Jimmy Cliff's debut album, Hard Road, swiftly following it the next year with a self-titled full-length set (retitled Wonderful World, Beautiful People for U.S. release). Under any name it was a superb set, one that would further bolster Leslie Kong's reputation as the producer with the golden touch. Of all the early Jamaican label heads, it was Kong who garnered the most chart action, raising the likes of Desmond Dekker, the Maytals, and Cliff, of course, to international stardom. In the late '60s, Kong's session band, Beverley's All Stars, comprising members of Gladdy's All Stars and other local luminaries, were laying down some of the most delectable reggae to be heard on the island. Their sound, however, was buttressed with sympathetically applied symphonic overdubs, adding a further lushness to the band's own lavish style. The musicians positively glowed on this set, assisted by Cliff's own strong and infectious melodies. "Many Rivers to Cross" would later resonate across The Harder They Come movie and soundtrack, while "Wonderful World" and "Vietnam" were both destined for international chart success. Many more of the album's tracks could have joined them, and in Jamaica, they did. "Suffering in the Land," "Hard Road to Travel," (reprised from Cliff's previous set), and "Come into My Life" would all spin successfully on 45 on the island as well. As magnificent as the music was, it was arguably even stronger lyrically, with Cliff chomping at the bit to show off his talent with the pen. Sweeping across universal themes, sufferer's songs, and romance, Cliff is the master of the school of hard knocks, imparting an optimistic message of overcoming the odds with finesse. This reissue reproduces the album in full and adds another seven numbers to further sweeten the set. Some, including "Give a Little, Take a Little" and "My World Is Blue" were originally Jamaican singles; a pair of numbers -- "Those Good, Good Old Days" and "Better Days Are Coming" -- were pulled from Cliff's 1974 Struggling Man album. A clutch showcase the singer's R&B side, others his more Jamaican styling. And although a few feel a bit out of place here, recorded as they were years later, fans won't mind a bit. ~ Jo-Ann Greene
Q (May 2002, p.128) - 5 out of 5 stars - "...Cliff had a different pop stick with which to beat his oppressors, always putting the tune before the beat...the one essential Jimmy Cliff purchase."
One of the great popularizers of reggae music, Jimmy Cliff blazed a trail into rock that Bob Marley later followed. In the mid 1960s, the young Jamaican singer moved to London to pursue his singing career. After returning to his home and recording some ska & rocksteady material, Cliff finally broke through in 1969 with "Wonderful World, Beautiful People." After hearing the song, Paul Simon travelled to Kingston and booked the same rhythm section, studio, and engineer to record "Mother and Child Reunion"--arguably the first U.S.-made reggae song. As the gun-toting, reggae-singing star of THE HARDER THEY COME (1972), Cliff was suddenly Jamaica's most marketable property. It was the island's best homegrown film, and its soundtrack one of the biggest-selling reggae records of all time.
Also Appears On:
Similar Artist:
Alimantado, Dr. Aswad Black Uhuru Brown, Dennis Congos (The) Dekker, Desmond Ellis, Alton Heptones (The) Ijahman Isaacs, Gregory Johnson, Linton Kwesi Levy, Barrington Marley, Bob Marley, Ziggy Minott, Sugar Murvin, Junior (Reggae) Perry, Lee Police (The) Rolling Stones (The) Sly & Robbie Steel Pulse The Meditations Tosh, Peter U-Roy UB40
Influences:
Aitken, Laurel Brown, James Flamingos (Doo Wop) (The) Higgs, Joe Holt, John (Vocals) Impressions (The) Isley Brothers (The) Paragons (Reggae) (The) Robinson, Smokey Skatalites (The) Wilson, Jackie
Similar Genres:
Roots Reggae |