The Lost AlbumSalif Keita
Release Date: 06/27/2006
Original Release:
2006
# of Discs:
1
J&R Item # 918971_CD
UPC # 717147006528
Label: White Swan Records
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Disc: 1
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Performer: Salif Keita
Distributor: Ryko Distribution Notes: The Lost Album resurrects six lengthy and largely acoustic tracks recorded in 1980 by West African singer Salif Keita and his longtime collaborator, guitarist Kante Manfila. Musical partners since the late '60s, first in the Rail Band and then in Les Ambassadeurs Internationaux, Keita and Manfila seem to be moving away from that group's somewhat westernized Afro-pop sound with these sessions. This is not to say that these are all traditional African musical forms: although the hypnotic "Toura Makan" sounds like it could have fit on one of the Nonesuch Explorers collections, Manfila's opening showcase "I Djo Fama" begins with a double-tracked acoustic guitar figure that's been processed to sound like Mike Oldfield's trademark half-speed guitar experiments. The arrangements are stripped down and the production medium-fi at best; some percussion, kalimba, a bit of trumpet, and a female vocal chorus make occasional appearances (frustratingly, there are no personnel or recording credits), but throughout, the focus remains on Keita's spellbinding vocals. Free of the synthesized gloss of his breakthrough solo albums from later in the decade, The Lost Album features a young Keita in a slightly rougher but warmly intimate musical setting. ~ Stewart Mason
Malian musician Salif Keita had an uphill battle on his way to become the country's most renowned singer/songwriter. A direct descendent of Mali's royal family, he was forbidden by custom to become a musician, but he boldly cast aside tradition. A vision-impaired albino, he also had to contend with his culture's superstitions about albino Africans. Nonetheless, in the '60s he began a career that moved through the pioneering Rail Band, through work with the jazz/funk-influenced Les Ambassadeurs, finally emerging as a formidable solo artist in the '80s. His pan-ethnic style incorporates R&B, rock, and jazz along with traditional Malian sounds, and his is a familiar name in the world music Grammy category.
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Influences:
Bembeya Jazz National Charles, Ray Dibango, Manu Franklin, Aretha Konte, Lamine Ensemble Machito Super Rail Band Turner, Tina Wonder, Stevie Zawinul, Joe
Similar Genres:
African |