Hooker [Box Set] [Box]

Performer: John Lee Hooker
Producer: Jeff Palo; Joe Brown; Ed Michel; Idessa Malone; Elmer Barbee; Fred Mendelsohn; Horst Hohenboken; Ollan Christopher Bell; Gene Deitch; Henry Stone; Joe Von Battle; Johnny Vincent; Jim Gaines; Joe Bihari; John Lee Hooker; John Porter; Al Smith; Los Lobos; Mario Caldato, Jr.; Mike Kappus; Orrin Keepnews; Ralph Bass; Robert Hite, Jr.; Ry Cooder; Skip Taylor; Van Morrison; Bill Grauer; Roy Rogers; Bob Thiele; Carlos Santana; Patrick Milligan (Compilation); Shawn Amos (Compilation)
Distributor: RED Distribution

Notes: Personnel: John Lee Hooker (vocals, guitar); Robert Cray, Van Morrison (vocals, guitar); Bonnie Raitt (vocals, slide guitar); Bobby "Blanco" King, William "Bill" Greene, Terry Evans, Zakiya Hooker (vocals); John F. Hammond, Alan Wilson (guitar, harmonica); Anthony Cook (guitar, synthesizer); Jim Kahr, Mike Osborn, Danny Caron, David Hidalgo, William "Lefty" Bates, Eddie Kirkland, Eddie "Guitar" Burns, Eddie Taylor, Robert "Red Top" Young, Eric Clapton, Henry Vestine, Hollywood Fats, Larry Veeder, Jimmie Vaughan, Johnny Lee Schell, Lloyd Gregory, Luther "Guitar Junior" Johnson, Muddy Waters, Ry Cooder, Sammy Lawhorn, Steve Miller , Tim Kaihatsu, Tony McPhee, Barry Galbraith, Billy Friday Johnson, Wally Richardson, Roy Rogers , Bruce Kaphan, Buddy Guy, Carlos Santana, Cesar Rosas (guitar); Warren Haynes (slide guitar); Hele Rosanthal, John "Juke" Logan, Louis Myers (harmonica); Emilio Castillo, Henry Cosby, Lenny Pickett, Otis Finch (tenor saxophone); Andrew "Mike" Terry, Stephen "Doc" Kupka, Steve Berlin (baritone saxophone); Mic Gillette (trumpet, trombone); Greg Adams (trumpet); Tom Parker, Ernie Hayes (piano, organ); John Griffith, James Watkins, Dan Zemelman, Ivory Joe Hunter, Bob Thurman, Johnnie Johnson, Otis Spann, John Sanders, Boogie Woogie Red, Charles Brown (piano); Booker T. Jones, Deacon Jones (organ); Chester Thompson , Clifford Coulter, Jimmy Pugh, Bill Payne (keyboards); David "Panama" Francis, Richard G. Johnson, Earl Phillips, Kevin Williams , Francis Clay, Fred Below, Ken Swank, Dave Boorman, Scott Matthews, Marlon Green, Curtis Foster, Jim Keltner, Adolfo de la Parra, Jump Jackson, Kevin Hayes , Al Duncan , Louis Hayes, Leon "Ndugu" Chancler, Quinn Wilson, Scott Mathews, Victor Bisetti, Benny Benjamin, Bernard "Pretty" Purdie, Gaylord Birch, Bowen Brown (drums); Raul Rekow, Armando Peraza (congas); Jos� Chepit� Areas, Karl Perazzo (timbales); Randie McBride (percussion); Terrance Kelly, Tina Bryant (background vocals). Audio Remasterer: Pat Kraus . Liner Note Authors: George Thorogood; Van Morrison; Zakiya Hooker; Ted Drozdowski; Bonnie Raitt; Carlos Santana. Recording information: American Folk Blues Festival, Hamburg, Germany (02/18/1929-06/??/1998); Cafe Au Go-Go, NY (02/18/1929-06/??/1998); Chicago, IL (02/18/1929-06/??/1998); Detroit, MI (02/18/1929-06/??/1998); Gene Deitch's Home, Pleasant Ridge (02/18/1929-06/??/1998); Hollywood, CA (02/18/1929-06/??/1998); London, England (02/18/1929-06/??/1998); Los Angeles, CA (02/18/1929-06/??/1998); Miami, FL (02/18/1929-06/??/1998); New York, NY (02/18/1929-06/??/1998); Newark (02/18/1929-06/??/1998); Redwood City (02/18/1929-06/??/1998); San Francisco, CA (02/18/1929-06/??/1998); Sausalito, CA (02/18/1929-06/??/1998); Vancouver, British Columbia, Canada (02/18/1929-06/??/1998). Photographers: Emily Johnson; Bill Reitzel; Jay Blakesberg; Jake Butler; Douglas Menuez; Elliott Landy; Paul Natkin; Steve Rappaport. Unknown Contributor Role: Louie P�rez. Arranger: John Lee Hooker. Although blues legend John Lee Hooker has been compiled on more best-of sets than anyone would care to count, it wasn't until 2006's HOOKER that a box set spanning the entirety of his vast, sprawling discography appeared. Arranged chronologically, HOOKER spans four discs and five decades, reaching all the way back to the man's seminal 1948 recording "Boogie Chillen,'" one of the rawest, purest, most groove-intensive blues performances put to wax. The set rightfully allots a good deal of space to Hooker's '50s and '60s work, emphasizing the spare guitar-and-voice sides he cut for Modern, and the full electric band sides he cut at Chess, Vee-Jay, and a host of smaller labels. It's to Shout Factory's credit that there's little from the '70s or '80s here, with a stress instead placed on Hook's resurgence in the '90s, and his duets with Bonnie Rait, Robert Cray, Carlos Santana, Eric Clapton, and the like. There's barely a skippable cut in the entire box, but it's the early stuff that still slays, with Hooker's drone-centric guitar, unique sense of time, and urgent, earthy vocals slicing through the air like a stiletto. A beautifully assembled set of essential music, HOOKER is a necessity for anyone seeking a comprehensive introduction to the king of endless boogie

Rolling Stone (p.110) - Ranked #1 in Rolling Stone's "The Top 10 Reissues Of 2006" -- "[A]n aptly locomotive portrait of Hooker's blues, highlighting his primal composing genius..." Q (p.110) - 3 stars out of 5 -- "This is music reduced to its bare necessities, a victory for the primitive power of one-chord grooves and a baritone boom." Uncut (p.90) - 5 stars out of 5 -- "Hooker held fast to the visceral mysteries of rural blues, while yoking them to the electric crackle of the industrial north." Down Beat (p.80) - 4 stars out of 5 -- "Hooker blended Delta incantation and rhythm in a singularly primal way that brought out all the sensuality in his songs." No Depression (p.79) - "[H]is basic sound remained constant: songs built around single-chord drones; unrhymed lyrics that often sounded improvised; propulsive but stripped-down rhythmic patterns usually devoid of standard structure or timing." Mojo (Publisher) (p.114) - 4 stars out of 5 -- "[H]is collaboration-heavy THE HEALER made him a global superstar but his roots remained firmly in the Mississippi Delta."

John Lee Hooker is the most elemental of the electric blues giants. His spooky musical minimalism--plaintive yet powerful vocals coupled with guitar work alternately haunting and toe-tapping--has inspired countless artists, from contemporaries like Slim Harpo to acolytes the Rolling Stones. Few, however, can summon up the inexplicable erotic charge at the heart of Hooker's best performances. The patented "boogie" rhythm upon which seemingly every blues-rock and hard rock band of the 1970s wrought variations was virtually invented by Hooker. One of the most-recorded post-war bluesmen, Hooker released records on countless labels, working much of the time in Detroit and Chicago. He kept working well into his eighties, his style growing ever more refined and penetrating.

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