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Pure Religion & Bad Company

Rev. Gary Davis
Release Date: 05/21/1991
Original Release:  1957
# of Discs:   1
J&R Item # 95502_CD
UPC # 093074003527
Label: Smithsonian Folkways Recordings
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Track Details Credits Artist Related Shipping
Disc: 1
1. Pure Religion sound samples  real  |  windows media
2. Mountain Jack sound samples  real  |  windows media
3. Right Now sound samples  real  |  windows media
4. Buck Dance sound samples  real  |  windows media
5. Candy Man sound samples  real  |  windows media
6. Devil's Dream sound samples  real  |  windows media
7. Moon Goes Down sound samples  real  |  windows media
8. Cocaine Blues sound samples  real  |  windows media
9. Runnin' to the Judgement sound samples  real  |  windows media
10. Hesitation Blues sound samples  real  |  windows media
11. Bad Company sound samples  real  |  windows media
12. I Didn't Want to Join the Band sound samples  real  |  windows media
13. Evening Sun Goes Down sound samples  real  |  windows media
14. Seven Sisters sound samples  real  |  windows media
15. My Heart Is Fixed sound samples  real  |  windows media
16. Time Is Drawing Near - (previously unreleased) sound samples  real  |  windows media
17. Crucifixion - (previously unreleased) sound samples  real  |  windows media

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Performer: Rev. Gary Davis
Engineer: Fred Gerlach
Distributor: E1 Distribution (USA)

Notes: Personnel: Rev. Gary Davis (vocals, guitar). Audio Remasterers: Ron Lewter; Alan Yoshida. Liner Note Author: Bruce Bastin. Recording information: New York, NY (06/1957). Arranger: Rev. Gary Davis. This Rev. Gary Davis release has been issued throughout the world under a bevy of names and should not be confused with the Prestige disc simply titled Pure Religion. These recordings are notable for both their sacred and secular nature. Equally as interesting is the wide range of performance styles that the Reverend incorporates throughout this long-player -- the first full-length disc to do so. Among them are the rarely displayed preachin' blues of "Bad Company," "Runnin' to the Judgement," and "Pure Religion." Notable are the spoken introductions or talkin' blues recitation techniques, as well as the more obvious and overtly religious themes. Davis took his commitment to the Lord seriously and had become an ordained minister in the summer of 1937. His vehemence and compulsion to spread the word is a blatant motif that works on several simultaneous strata. In the musical parables of "Seven Sisters" -- which should not be considered a voodoo reference -- and "Right Now," Davis recalls the fatality of not rebuking sin with lyrics like the following: "Don't 'cha put off today for tomorrow -- for tomorrow may never be. Let the Saviour bless yo' soul, right now." This collection also includes a few equally heady instrumentals -- most notably "Cocaine Blues," "Buck Dance," and "Hesitation Blues." Davis' astonishingly potent guitar playing and conversational approach have arguably never been captured more aptly on record. The direct lineage to artists such as Dave Van Ronk, Jorma Kaukonen, Stefan Grossman, and Brownie McGee becomes infinitely clear. Their versatility in technique coupled with simultaneous chord strumming and picking can be sourced right here. "Moon Goes Down" is one of the more secular pieces and originates in the slave fields as a "holler." Davis' emotionally heavy performance and dirge-like chord changes rank the tune among his most emotive recordings. Pure Religion & Bad Company was amended with two additional and otherwise previously unreleased tunes -- "Time Is Drawing Near" and "Crucifixion" -- when the title was issued on CD in 1991. Both tracks are from the same June 1957 session documented by Tiny Robinson and Fred Gerlach in New York City. ~ Lindsay Planer
Blind blues guitarist Reverend Gary Davis is one of the most influential bluesmen in terms of the evolution of folk and rock fingerpicking. A key member of the Piedmont blues movement of the 1920s and '30s, Davis put his own upbeat yet simplistic spin on the rural picking style that marked that scene's sound. Davis moved to New York City in the 1940s where he recorded for the famed Folkways label, eventually becoming a darling of the folk revival that would explode in the coming decades. Everyone from Bob Dylan and Dave Van Ronk to Taj Mahal, Jackson Browne, and Bob Weir of the Grateful Dead cite Davis as an influence.
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Similar Genres:
Country Blues  
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PID # 3922103


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