Twelve Stops And Home

Performer: The Feeling
Producer: Andy Green; The Feeling
Distributor: Universal Distribution

Notes: The Feeling: Dan Gillespie-Sells, Kevin Jeremiah (guitar); Ciaran Jeremiah (keyboards); Richard Jones (bass guitar); Paul Stewart (drums). Some bands dive deep into classic rock radio fetishism and emerge with their own take on the tradition. The Feeling--a London quintet that spent many years as a cover band before composing original material--are capable of writing some incredibly catchy songs yet haven't quite figured out what makes themselves tick. Still, despite the lack of an immediate signature, the Feeling's Island debut, TWELVE STOPS AND HOME, features strong hook-filled songwriting and well performed, modernized '70s FM pop. The band is clearly talented and have released an album that, while not perfect, points to brilliant things to come. With its smart combination of pop/rock proficiency and brightly layered vocals, Twelve Stops and Home yielded some of England's most omnipresent tunes of 2006. Several years before this debut's release, the Feeling were little more than a ski lodge cover band, serenading Swiss snow boarders with Top 40 hits in exchange for lodging and chump change. Assimilating the tricks of the trade paid off, however, and Home's 12 tracks brim with delightfully appropriated moves: a pumping piano riff from Supertramp ("Fill My Little World"), swells of harmonies � la the Bangles ("Love It When You Call"), a zany chord progression straight out of the Beatles' druggiest days ("Helicopter"). The quintet knows its strengths and caters to them at every turn, letting frontman Dan Gillespie-Sells helm a handful of ballads (his delivery is impeccable, especially on the bittersweet British megahit "Sewn") and showcasing the Feeling's biggest asset: harmony vocals. They stack their voices like a bubblegum version of Queen, mirroring each other's sighs and crescendos, even halting the music altogether for a few measures of polyphonic a cappella. The latter move is especially effective on "Fill My Little World," where a Merseybeat-styled chorus is smartly contrasted by a sobering vocals-only outro. This brand of bold-faced classicist pop is a tricky thing to pull off -- especially in the wake of semi-jokesters the Darkness, who excelled in their craft while simultaneously making a mockery of it -- but the Feeling have the chic (and perhaps the cheek) to do so successfully. ~ Andrew Leahey

The Feeling were one of a multitude of young U.K. bands to grab a moment or two in the spotlight during the mid 2000s. However, the band had a markedly different approach to rocking, passing on the typical Britpop and post-punk influences in favor of quirky MOR U.K. pop groups such as Supertramp and 10cc. The band's debut album, TWELVE STOPS AND HOME, combined the basic Britpop template with a pronounced '70s influence that encompassed everything from Beach Boys-like harmonies to the soft rock of the Eagles.

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