Vanguard Visionaries

Performer: Buddy Guy
Producer: Vince Hans (Compilation)
Distributor: Welk

Notes: Eric Clapton and John Mayer, as well as any artist who has topped a "best guitarists" list in recent years, owe a debt of gratitude to Buddy Guy, one of the original guitar heroes. His work is showcased in this excellent introductory disc culled from the Vanguard vaults. Highlights include his take on hits such as "Knock on Wood" and "Poison Ivy." After leaving Chess in the late '60s, Buddy Guy went to Vanguard, where he cut three albums: the excellent A Man and the Blues, the mediocre This Is Buddy Guy (a live album) and Hold That Plane. Vanguard Visionaries pulls tracks from those albums as well as an outtake from A Man and the Blues, "Poison Ivy," first released on a different Vanguard comp, As Good As It Gets. Those better acquainted with Guy's later material for labels like Alligator, JSP and especially Silvertone may be surprised by his thin-sounding guitar tone, but Guy could let it rip back then even without the extreme volume. He's quite the showman as well, with his fierce guitar playing and passionate vocals, able to kick it up-tempo or drag it way down slow (he's especially powerful on the slow tunes). The main highlights here are Guy's classic "Mary Had a Little Lamb" and the haunting slow blues of "One Room Country Shack" which features the great Otis Spann (incidentally, both are from A Man and the Blues). Guy has never been a strictly traditional bluesman, as evidenced here by his takes on "Knock on Wood" and "Watermelon Man" (which doesn't quite fit with the rest of the set). Vanguard Visionaries is a decent compilation of this phase of Guy's career although some -- any -- discographical information would have been appreciated. ~ Sean Westergaard

Eric Clapton once called Buddy Guy "the greatest blues guitarist ever." Guy, along with contemporary Magic Sam, took the sounds of Chicago blues of the 1950s and ratcheted them up a notch, in the process creating a new form of controlled blues mayhem. Born in Louisiana, he moved to Chicago as a young man in 1957 and served an apprenticeship with Chicago blues king Muddy Waters while getting his own solo career underway. Guy's frequent collaborations with harmonica player Junior Wells are among his best work.

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