Washington Square Serenade [Digipak]

Performer: Steve Earle
Artist: Forro In The Dark; Allison Moorer
Engineer: Tom Camuso; Josh Wilbur; Noah Goldstein; Tom Camuso; Josh Wilbur
Producer: John King; John King
Distributor: RED Distribution

Notes: Personnel: Steve Earle (banjo); Allison Moorer (vocals); Smokey Hormel (baritone guitar); Jorge Continentino (bamboo flute); Patrick Earle (percussion, background vocals); Petey, Charlie Stavish, Downtown Proletariat Choir, Noah Goldstein, Lee Foster, Paul Bannister, Collin Hart, John King , Josh Wilbur (background vocals); John Medeski (electric piano, harmonium, organ, Mellotron); Jeremy Chatzky (acoustic bass, electric bass); John Spiker (electric bass, programming); Marty Beller (drums). Additional personnel: Davi Viera (triangle); John Refosco (unknown instrument); Forro in the Dark, Allison Moorer, Smokey Hormel, Jorge Continentino. Audio Mixer: John King . Photographer: Ted Barron. Alt-country king Steve Earle documents some major life changes on WASHINGTON SQUARE SERENADE. In the time between this album and its 2004 predecessor, Earle married singer-songwriter Allison Moorer, and the Texas-bred Nashville rebel moved to New York's Greenwich Village (hence the album title). These alterations are represented by the songs here, including odes to Earle's new home town and love ballads presumably written for Moorer. The album marks a turning point on the sonic level as well. Earle, who says Moorer likened his usual old-school production techniques to civil war re-enactments, enlisted L.A.'s Dust Brothers (of Beastie Boys and Beck fame) to help update his methods. While SERENADE is far from hip-hop, there are some subtle electronic touches amid the rampant rootsiness, and there's more cut-and-paste cerebralism than garage-rock gusto to the arrangements. It all adds up to one small step for Earle, and if not one giant leap for 21st-century Americana, then certainly a lengthy stride.

Rolling Stone (p.77) - 3 stars out of 5 -- "[I]t impacts just like any other Steve Earle record -- lyrics first....[With] two fine love songs to Earle's wife, harmony-singing Allison Moorer...." Spin (p.100) - 3 stars out of 5 -- "[A]s he shows on 'Days Aren't Long Enough' and 'Sparkle and Shine,' the man can still write a damn pretty love song." Entertainment Weekly (p.105) - "SERENADE is awash in unexpected grace notes....A love letter to his new home." -- Grade: B+ Uncut (p.106) - 4 stars out of 5 -- "Layering acoustic and electric guitars over vaguely hip hop beats, much of it sounds like Earle taking stock of his new home and nodding his approval....It's all invigorating, wonderful stuff." Magnet (p.93) - "[T]he most convincing songs on WASHINGTON SERENADE are about love, devotion, messing up, and simply wanting to be heard."

Steve Earle did for country in the 1980s what Waylon Jennings did for it in the '70s--released it from the shackles of commerciality and overproduction by introducing a bad-ass, rock-friendly outlaw aesthetic. Besides his talents as a singer/songwriter, Earle is a producer/entrepreneur who's worked with many other artists (some on his own label) and helped foster a new wave of progressive country. He's also a dedicated political activist who's done much for a variety of progressive causes.

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