Rane MP 2S Club Mixer

The MP 2S Club Mixer by Rane gives you all the necessary features for a great performance, yet it is compact and lightweight, using significantly less rackmount space compared to traditional mixers. It's also easy on your back when transporting.

Each Program Bus selects any of the four Stereo Inputs. Any Input can appear on either side of the Crossfader! You have two selectable phono/line Inputs and two stereo line Inputs for each of the two Program buses. Each Program bus has its own Bass and Treble EQ. Identical to other Rane mixers, the crossfader is a long lasting, noise-free 60 mm Active Crossfader. Additionally, the MP 2S includes Cue Engage on each bus, Headphone slide fader that pans Cue to Master and a powerful low-noise Headphone Amp with Level control, of course. You also get a balanced Main MIC input with full-range fader control. Outputs include a Tape Out with Pre/Post Mic sum, a balanced Auxiliary Output with Level control for booth monitoring or feeding an additional zone and a balanced house feed.

High performance VCA Active Crossfader

Loud, high quality headphone amplifier

Phono/Line switchable inputs

Two stereo, balanced outputs

Separate EQ on each bus

Separate meter on each bus

Applications:

Mobile DJ

Night Club mixing

Radio Remote Broadcasting

Remix Project Studio

Post Production

Anywhere rack space is tight, mobility is a must and Rane quality is demanded

The MP 2S is a small, lightweight DJ mixer occupying 1U in a standard 19" rack. The mixer includes two stereo phono inputs and two stereo line-level inputs. The phono inputs include a switch to allow line level operation. The mixer has two stereo mixing channels. A 60mm, high performance VCA crossfader is provided. Each of the four stereo inputs shall be assignable to the A-side and/or B-side of the crossfader. Dual-mono metering shall indicate the mix level of Program-A and Program-B. A balanced Microphone input with ¼" TRS jack shall be provided. The gain range is continuously adjustable from OFF to +50dB. A stereo unbalanced tape output includes a switch to select pre- or post-microphone operation. Headphone monitoring includes independent cue switches for program one and program two, panning between master mix and cue selection and a level control. Output is via a ¼" TRS jack.