Folkways Years (1959-1961)

Performer: Dave Van Ronk
Distributor: Ryko Distribution

Notes: This collection contains 20 songs. In his characteristically sardonic liner notes to this compilation of his earliest recordings, Dave Van Ronk denies that he was ever a folksinger. While such a declaration may seem ludicrous on its face, Van Ronk's perspective contributes to an understanding of his musical approach. When he made these recordings for Folkways Records between 1959 and 1961, he was coming out of years of playing banjo and singing (unamplified) with a traditional jazz band; he turned to fingerpicking an acoustic guitar and singing the songs of old folk-blues musicians like Blind Boy Fuller, Blind Lemon Jefferson, and the Reverend Gary Davis as the "trad" fad gave way and the folk revival gained momentum in the late `50s. But he continued to play and sing hard, as if still trying to be heard over Dixieland arrangements. That sounded unusual to the more polite folk audiences of the time, in contrast to singers who played tame versions of traditional folk and blues tunes. But more than three decades later, it keeps Van Ronk's performances from sounding as dated as those of many of his peers do. Nobody worries much anymore about an articulate, urban white man trying to sound like an unlettered, rural black man, and these recordings have proven very influential. For example, it's possible to hear a good part of Hot Tuna's acoustic repertoire in the music Van Ronk was making here a decade earlier. If he was imitating the originators at the time, now he sounds like a master whose work has been emulated by the rock musicians who followed him (and who made a lot more money doing so than he ever did). ~ William Ruhlmann

Dave Van Ronk grew up in Brooklyn, but as a young man he absorbed the folk, jazz, and blues traditions of the south, and integrated them into his raw, organic style as a singer/guitarist. His approach to fingerpicking incorporated both country blues patterns and a strong ragtime influence, and his gravelly singing was as gritty and authentic-sounding as that of any Delta bluesman. He began recording in the late '50s, at the vanguard of the folk revival, and became an inspiration to the entire Greenwich Village folk scene. In addition to being a musical role model, he actively mentored the likes of Bob Dylan and Paul Simon. Van Ronk never attained the star status of some of his disciples, but he never stopped making records and playing concerts, and remained true to his musical instincts until his death in 2002.

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