All That I Am

Performer: Joe
Artist: Onaje Allan Gumbs; Gerald Levert
Distributor: BMG (distributor)

Notes: Personnel: Joe Thomas (vocals, acoustic guitar, keyboards, programming); Joshua Thompson, George Wadenias (acoustic guitar); Randy Bowland, Japhie Tejeda, Geary Moore (guitar); Onaje Allan Gumbs (Fender Rhodes piano); Edwin Nicholas, Larry "Rock" Campbell (keyboards, programming); Timmy Allen (drum programming); Monique Anderson, Gerald Levert, Jolyon Skinner, Sean Daniels, Larry McMurray (background vocals). Recorded at The Crib, Maplewood, New Jersey; The Crib, Clinton, New Jersey; On The Way Studios, Cleveland, Ohio; Battery Studios, and The Soundtrack Group, New York, New York. Producers include: Joe Thomas, Joshua Thompson, Edwin Nichols, Rodney Jerkins, Gerald Levert. Engineers include: Earl Cohen, Eric Gast, Dexter Simmons. Personnel: Joe (acoustic guitar, keyboards, programming, drum programming, background vocals); Japhe Tejeda, Geary Moore, Randy Bowland (guitar); George Wadenius, Joshua Thompson (acoustic guitar); Onaje Allan (Fender Rhodes piano); Edwin Nicholas, Larry Campbell (keyboards, programming, drum programming); Rajhun George (keyboards, programming); Dexter Simmons (talk box); Timmy Allen (drum programming); Monique Anderson, Gerald LeVert, Larry McMurray, Jolyon Skinner, Sean Daniels (background vocals). Audio Mixers: Dexter Simmons; Gerard Smerek; Charles "Prince Charles" Alexander ; Joe; Earl Cohen; Peter Mokran; Rodney Jerkins; Ron A. Shaffer. Recording information: Battery Studios, New York, NY; Beartracks, Suffren, NY; New York, NY; On The Way Studios, Cleveland, OH; The Crib, Maplewood, NJ; The Soundtrack Group. Editor: Chaz Harper. Photographer: Jonathan Mannion. Unknown Contributor Role: Kedar Massenburg. Arranger: Gerald LeVert. On ALL THAT I AM, Joe offers 12 tracks of slow, smooth R&B stylings, with diverse arrangements and creative performance, all centered around the breathy, earnest voice of Joe Thomas. In addition to his multi-tracked vocal arrangements, Joe also makes substantial keyboard, programming, and production contributions. Lyrically, the album ranges from the swaggering bravado of "The Love Scene" to the emotional vulnerability of "No One Else Comes Close." Not wanting to fall back on R&B cliches, Joe opts for a fresher metaphor--"I hear he' s got you in lockdown, but I got the master key" ["All The Things (Your Man Won't Do)"]. ALL THAT I AM features some impressive production tricks including the reverse loop intro to "U Shoulda Told Me (U had A Man)," the flanged vocal effects of "Don't Wanna Be A Player" and exotic instrumental samples throughout.

The Source (9/97, p.233) - "...ALL THAT I AM is a fantasy ride that wills something to the imagination....It's a well-rounded artist-driven album that doesn't insult R&B aficionados with stale radio ambience..."

Georgia native Joe has been crooning about his romantic escapades since 1993, mixing classic soul with hip-hop beats. His contribution to the soundtrack for BOOTY CALL ("Don't Wanna Be A Player") proved to be the singer's big commercial breakthrough, and he belongs on the frontline with such '90s R&B Casanovas as D'Angelo and Maxwell.

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