Morrison Hotel

The Doors
Release Date: 03/27/2007
Original Release:  1970
# of Discs:   1
J&R Item # 974731_CD
UPC # 081227999858
Label: Rhino Records (USA)
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Disc: 1
1. Roadhouse Blues sound samples  real  |  windows media
2. Waiting For the Sun sound samples  real  |  windows media
3. You Make Me Real sound samples  real  |  windows media
4. Peace Frog sound samples  real  |  windows media
5. Blue Sunday sound samples  real  |  windows media
6. Ship of Fools sound samples  real  |  windows media
7. Land Ho! sound samples  real  |  windows media
8. Spy, The sound samples  real  |  windows media
9. Queen of the Highway sound samples  real  |  windows media
10. Indian Summer sound samples  real  |  windows media
11. Maggie M'Gill sound samples  real  |  windows media
12. Talking Blues sound samples  real  |  windows media
13. Roadhouse Blues - (Takes 1-3, 11/4/69) sound samples  real  |  windows media
14. Roadhouse Blues - (Take 6, 11/4/69) sound samples  real  |  windows media
15. Carol - (11/4/69) sound samples  real  |  windows media
16. Roadhouse Blues - (Take 1, 11/5/69) sound samples  real  |  windows media
17. Money Beats Soul - (11/5/69) sound samples  real  |  windows media
18. Roadhouse Blues - (Takes 13-15) sound samples  real  |  windows media
19. Peace Frog - (False Starts & Dialogue) sound samples  real  |  windows media
20. Spy, The - (Version 2) sound samples  real  |  windows media
21. Queen of the Highway - (Jazz Version) sound samples  real  |  windows media

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Performer: The Doors
Artist: John Sebastian
Producer: Paul A. Rothchild
Distributor: WEA (Distributor)

Notes: Includes bonus tracks. Feted first as underground heroes, then reviled as teeny-bop stars, the Doors threw off such conundrums with this magnificent release. MORRISON HOTEL reaffirmed their blues roots, stripping away some of the psychedelia of their early releases and the orchestral ambitions that weighted albums like THE SOFT PARADE. The opener, the powerful "Roadhouse Blues," is a case in point. Based on a classic blues riff, structure, and theme ("Let it roll, baby, roll/All night long"), the song is elemental and hard driving. The album then unfolds through a succession of songs showcasing all the group members' considerable strengths. Distinctively tight instrumental playing underscores memorable material, while Jim Morrison's authoritative vocals range from the demonstrative ("Maggie McGill") to the evocative and melancholic ("The Spy"). Though the band harks back to their tingling '60s sound on "Waiting for the Sun" and "Queen of the Highway," the album's best moments, like the politically minded boogie "Peace Frog," wed edgy rock to the band's highbrow vision. MORRISON HOTEL returned the band to critical favor, and was, overall, their strongest effort since STRANGE DAYS.
Down Beat (p.69) - 3 stars out of 5 -- "[With] potent blues-rock...and Morrison's vocals still compellingly and haunting authoritative, the grip is relaxed..."
Like a trippier, more mystical, West Coast equivalent of the Velvet Underground, the Doors went against the 1960s flower-power grain, taking an uncompromising look at the underbelly of the American psyche. Jim Morrison's dark, surreal poetry gave the band's blues-based rock a cerebral edge, and his wild, shamanistic on-stage presence electrified audiences. From their debut single, "Light My Fire," to their later recordings such as "Riders on the Storm," the Doors remained consistently intriguing even when their songs didn't, a feat largely credited to Morrison and his volatile personality. Eventually, Morrison's hard living caught up to him--he died in Paris at only 27 years of age, leaving behind a legacy that would inspire countless younger musicians.
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