Polaris

Performer: North Mississippi Allstars
Artist: Noel Gallagher
Engineer: Jon Bailey
Producer: The Dickinson Brothers
Distributor: BMG (distributor)

Notes: North Mississippi Allstars: Cody Dickinson (vocals, guitar, piano, organ, synthesizer, drums); Duwayne Burnside (vocals, guitar); Chris Chew (vocals, bass); Luther Dickinson (guitar, toy drums). Additional personnel includes: Steve Selvidge (vocals, guitar); Noel Gallagher, Jimmy Corsthwait, Susan Marshall, Reba Russell (vocals); Shawn Lane (guitar); Carwyn Ellis (Wurlitzer piano, Hammond B-3 organ). Recorded at Ardent Studios, Memphis, Tennessee and Zebra Ranch Studios, Tate Co., Mississippi. Personnel: Cody Dickinson (vocals, guitar, piano, organ, drums); Luther Dickinson, Duwayne Burnside, Steve Selvidge (vocals, guitar); Othar Turner (vocals, fife); Jimmy Crostwait, Rebecca Evans Russell, Noel Gallagher, Chris Chew, Susan Marshall (vocals); Cody Burnside (rap vocals); Shawn Lane (guitar); Heather Trussell (violin); Diden Somel (viola); B. Gokham Somel, Jonathan Kirkscey (cello); Patrick Plunk (clarinet); Robyn Oakes (oboe); Michael Scott (bassoon); Tower of Sour (saxophone, trumpet); Jim Spake (baritone saxophone); Virginia Cupples (French horn); Jim Dickinson (piano, Mellotron, omnichord); Carwyn Ellis (Wurlitzer organ); John C. Stubblefield (double bass). Audio Mixer: Dickinson Brothers. Recording information: Air Studios, London, England. Photographer: Danny Clinch. North Mississippi Allstars return with Polaris, their most ambitious album yet. They added Duwayne Burnside on guitar and vocals, and brought an even more eclectic group of songs to the table. Starting with the soulful rocker "Eyes," they slide right into a fabulous version of Junior Kimbrough's "Meet Me in the City." "Conan" starts with nice fingerpicked acoustic guitars before moving into and out of a country boogie before the guitar solo. Luther Dickinson's meaty slide is featured on all over the place, often recalling Duane Allman. Pegged as roots rockers and loosely identified with the jam-band scene, North Mississippi Allstars might surprise some people with tunes like "Otay" and "Time for the Sun to Rise," which are extremely well-produced pure pop tunes. The Dickinson brothers have done a great job with production all the way around: crisp and clean without sounding glossy, and a rich, warm tone throughout. The band seems equally at ease doing greasy country blues or bright shiny pop, making it all seem effortless (or like on "Be So Glad" where 95-year-old Othar Turner's fife mixes with drum machines and Cody Burnside's rapping, bridging three generations and at least two styles of music). Things end with a hidden track called "Goin Home," an up-tempo instrumental that recalls the best elements of the Allman Brothers Band. With Polaris, North Mississippi Allstars have turned in their best set yet, showing that they're at the vanguard of a new Southern rock. ~ Sean Westergaard

Entertainment Weekly (9/12/03, p.152) - "Boasting an enviable lineage...North Mississippi Allstars put a new spin on Southern rock..." - Rating: B+ CMJ (9/15/03, p.4) - "...A spirited new collection of tunes....POLARIS is the kind of album that could only come from musicians who truly respect their roots while adding their own fresh flavor." Living Blues (11/03, p.59) - - "...They constantly rewrite the music rules, crossing the boundaries between blues, rock'n'roll, and pop..." Mojo (Publisher) (10/03, p.116) - 3 stars out of 5 - "...When they retain Luther's kudzu-covered guitar and melt it with an R&B chorus on 'Eyes' the stretching pays off..."

Brothers Cody and Luther Dickinson are the sons of producer/songwriter and all-around Memphis legend Jim Dickinson. Equipped with their father's blues-based sense of eclecticism, during the 1990s the brothers honed their chops playing in punk bands, doing session work for the likes of the Replacements and Billy Lee Riley, and getting hands-on coaching from blues legends like R.L. Burnside. This amazing pedigree has made the North Mississippi Allstars one of the most confidently free-wheeling groups on the jam band circuit, embodying a grittier, tougher sound than other more hippie-inspired bands within the scene's ranks.

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