Flor De AmorOmara Portuondo
Release Date: 07/13/2004
Original Release:
2004
# of Discs:
1
J&R Item # 520517_CD
UPC # 075597981124
Label: Nonesuch Records (USA)
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Disc: 1
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Performer: Omara Portuondo
Artist: Carlinhos Brown Engineer: Ale Siqueira; Jerry Boys; Flavio DeSouza; Jerry Boys Producer: Nick Gold; Ale Siqueira; Demetrio Muniz; Jerry Boys; Nick Gold; Jerry Boys; Ale Siqueira; Demetrio Muniz Distributor: WEA (Distributor) Notes: Personnel: Omara Portuondo (vocals); Omara Portuondo; Carlinhos Brown (vocals, percussion); Manuel Galb�n (guitar, acoustic guitar, piano); Jorge L. Chicoy (guitar, electric guitar); Carlos Emilio (acoustic guitar, electric guitar); Swami Jr. (7-string guitar); Julian Leaper, Perry Mason, Chris Tombling, L�zaro Dagoberto Gonz�lez, Edward Marzan Betancourt, Mario Fernandez, Dagoberto Gonz�les Piedra, Yordanys Ravelo Machado, Abilio Betancourt Bejerano, Julian Corrales, Silvio Duquesne, Zoe Jake, Caridad Vald�s Men�ndez, Ariel Sarduy, Kathy Share, Augusto Diago, C. Thompson, Gustav Clarkson, Patrick Kiernan, Boguslaw Kostecki, Rita Manning, Gavyn Wright, Bruce White (violin); Peter Lale (viola); David Jack Daniels , Martin Loveday (cello); Eduardo Rubio, Policarop "Polo" Tamayo (flute); Toninho Ferragutti (accordion); Nailor Proveta, Nicholas Bucknail, Philip Todd, Javier Zalba (clarinet); Andrew Findon (bass clarinet); Miguel DeLa Hoz (trumpet); Simon Burwell (keyboards); Emilio Vega (vibraphone); Orlando "Cachaito" Lopez (bass guitar); Ramses Manuel Rodr�guez (drums); Miguel "Ang�" Diaz (congas, bongos); Emilio DelMonte, Jr. (congas, timbales); Ang� Diaz, Adel Gonz�lez (congas); Carlos Gonz�lez (bongos, claves); Carlos Julio Guerra (bata); Enrique Lazaga (guiro); Alberto Vald�s, Alfredo "Alfredito" Vald�s, Jr. (maracas); Marcos Suzano (pandeiro, shaker, tabla); L�o Bit Bit, Boghan Costa (surdo); Amadito Vald�s (timbales); Ale Siqueira (Theremin); Angela Loppo (background vocals); Papi Oviedo (tres); Roberto Fonseca (piano, Clavinet, organ, keyboards); Ramses M. Gonz�lez (drums). Audio Mixers: Jerry Boys; Simon Burwell. Recording information: EGREM Studios, Havana, Cuba (2003); Livingston Studios, London, England (2003); Recorder Studios, Paris, France (2003); Studio Ilha Dos Sapos, Salvador (2003). Photographer: Christian Jaspars. Translator: Rodrigo Amorim. Unknown Contributor Role: Lazaro Hernandez. Arranger: Demetrio Muniz. Though Omara Portuondo has been singing and performing in her native Cuba since the late 1940s, her career experienced a radical resurgence after her participation on the 1997 album BUENA VISTA SOCIAL CLUB. Portuondo possesses a deep, sultry voice that remains in superb condition, and she uses it to croon over complex island rhythms with seemingly effortless ease, as on the easy shuffle of "El Madrugador" and the dance-floor filler "Mueve La Cintura Mulato." FLOR DE AMOR, the singer's second release on the World Circuit imprint, shows a heavy Brazilian influence. Bossa nova and samba styles are identifiable here, though Portuondo keeps the whole firmly rooted in Cuban jazz and folk traditions. Polyrhythms simmer throughout, but the vibe is elegant, romantic, and decidedly low-key, evoking the tropical nights and lazy street cafes of the singer's native Havana. This ballad-heavy collection includes songs of love, heartache, and romantic longing, which are no less bewitching for being sung by a woman in her twilight years; in fact, the experience in her voice lights each song beautifully from within.
Q (p.122) - 3 stars out of 5 - "[W]onderfully arranged and played....This is a far headier brew than her recent sets."
Uncut (p.102) - 5 stars out of 5 - "[S]he's created a great soundtrack for the summer, and as perfect a Latin album as you could hope to find."
Dirty Linen (p.83) - "The rich rhythms and romantic style easily remind one of an earlier era of Cuban music....Portuondo delivers a rich, multi-layered sound - guitars, percussion, horns, and background vocals - that engage the senses."
Mojo (Publisher) (p.107) - 3 stars out of 5 - "[The album] feels like an invitation to bring your drink and make yourself comfortable in the boudoir. It also marks a significant musical progression..."
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