Back On My B S [Expanded Edition] [PA]

Performer: Busta Rhymes
Artist: Jadakiss; Lil Wayne; T-Pain; Tosh; Pharrell Williams; Ron Browz; Mike Epps; The Flipmode Movement; Show Money; Spliff Star; Demarco; DeMarco; Jelly Roll; Akon; T.I.; Common; Jamie Foxx; John Legend; Mary J. Blige; Estelle
Distributor: Universal Distribution

Notes: On his long-awaited eighth studio album, the Flipmode leader and super MC extraordinaire flows over high-budget productions from frequent collaborators Dr. Dre, the Neptunes, and Jelly Roll as well as fast-rising Bronx producer/MC Ron Browz. Busta blasts off in true street-hop fashion, reworking melodies from El Debarge and classic lyrics from Slick Rick on the fierce album opener "Wheel of Fortune." After Busta takes lavish-life boasting to surreal places ("I got oil well money/In the desert playin' golf/O.J. shorts, dashiki with a Louis scarf") over the Browz-produced banger "Arab Money," comedian Mike Epps sums up the track's nonchalance about the U.S. financial woes ("Your dollar ain't sh*t!"). R&B hooks dominate the second half of BACK ON MY B.S. and Busta chooses to engage them in one of two ways--by providing bold counterpoints with his signature high-energy shout raps (as on the heavy piano-loop of "We Want In" and the ATL-flavored "Don't Believe Em") or by softening his flow to interact with the melodies (as on the X-rated "Sugar" or the Dre-produced ballad "Decision").

Billboard (p.53) - "[T]here's something for everyone on BACK ON MY B.S....The rapper is still one of the most skilled in the game." XXL (Magazine) - "[Busta Rhymes] stays true to form, meshing the same witty concepts and dope production he has been known for his entire career....He also draws upon his Jamaican roots with the reggae-influenced 'Kill Dem'..." Q (Magazine) (p.110) - 3 stars out of 5 -- "[With] the utterly fantastic 'World Go Round' -- grunting hip-house, breathless rapping a killer hook from Estelle."

Brooklyn-born rapper Busta Rhymes first came to prominence in the early 1990s as a member of the Leaders of The New School, whose two albums found a place in the hearts of many hardcore hip-hop fans. Later in the decade, he embarked on the solo career that was inevitable, considering his talent, charisma, and unique style, with his distinctive brand of in-your-face, dancehall-flavored rhyming sticking out among the sound-alike MCs. He continued his style of apocalyptic imagery funneled through a hard-partying attitude into the 21st century, releasing the excellent THE BIG BANG in 2006.

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