14:59Sugar Ray (Rock)
Release Date: 01/12/1999
Original Release:
1999
# of Discs:
1
J&R Item # 286952_CD
UPC # 075678315121
Label: Atlantic (USA)
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Disc: 1
To listen to sound clips, you'll need the most current version of the
Performer: Sugar Ray (Rock)
Artist: KRS-One Producer: David Kahne Distributor: WEA (Distributor) Notes: Sugar Ray: Mark McGrath (vocals); Rodney Sheppard (guitar); Murphy Karges (bass); Stanton Frazier (drums); DJ Homicide (turntables). Additional personnel: KRS-One (rap vocals); David Kahne (programming). Engineers: David Kahne, John Travis, Steve Gallagher. Personnel: David Kahne (programming). Audio Mixers: David Kahne; John Travis . Recording information: Ocean Way Recording; Studio 56; Sunset Sound Studios; Swing House. Photographer: F. Scott Schafer. After scoring big with their previous effort, FLOORED, Sugar Ray returns with their infectious blend of funky grooves, modern rock and hip-hop. The group manages to meld all of these styles into an excellently produced, exciting record. Opening with the deceptive, Sepultura style "New Direction," Sugar Ray glides into a mellower mode with the album's first single "Every Morning," a comfortable pop ditty. "Live And Direct" has a reggae feel and features veteran rapper KRS-One. "Someday" is a straight-ahead pop tune, with some drum loops and scratches thrown in. "Ode To The Lonely Hearted" combines smooth harmonies with catchy hooks. "Even Though" rocks harder, but still remains a slick, short and sweet pop tune. "Abracadabra" is a cover of Steve Miller's smash hit, with some extra keyboards and programming added. Sugar Ray is a rock band that fuses other elements into their sound for wider appeal. They don't pretend to be master MC's or turntable wizards, and 14:59 is a good party record from a band that doesn't take itself too seriously.
Rolling Stone (2/4/99, pp.59-60) - "...these Orange County, California, lover boys go off the deep end with gorgeous psychedelic guitar hooks and drum loops....hip-hop is just one of the influences corrupting their depraved young minds, and everything they play is shaped by the cut-and-paste aesthetic of the the sampler..."
Q (6/99, p.114) - 4 Stars (out of 5) - "...a sure pop touch which is ably demonstrated on the new-wavey Personal Space Invader, makes 14:59 a great little summer record."
NME (Magazine) (6/19/99, p.30) - 7 out of 10 - "...if you wanted a soundtrack for the kind of sun-kissed pool-party the sleeve depicts, '14:59' is maybe as good as you could get today..."
What do you get when you have a singer with movie-star good looks (Mark McGrath) fronting a hard-edged pop band? In Sugar Ray's case, that formula spelled massive commercial success during the late 1990s and early 2000s. After starting off as a power chord-driven hard-rock band, Sugar Ray softened their sound, and scored big with such ska-tinged pop ditties as "Fly" and "Every Morning."
Also Appears On:
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311 Everlast Flys (The) Goldfinger Hepcat Insyderz J Band King Changó Less Than Jake Matchbox Twenty Mighty Mighty Bosstones (The) No Doubt Rancid Reel Big Fish Save Ferris Shifty Shwayze Smash Mouth Sprung Monkey Sublime (Rock) The Goo Goo Dolls Third Eye Blind Urge (The) Voodoo Glow Skulls
Influences:
311 Big Audio Dynamite Faith No More Fishbone General Public Guns N' Roses Jane's Addiction Madness Red Hot Chili Peppers Urban Dance Squad
Similar Genres:
Ska |