Then and Now

Performer: Vanilla Fudge
Artist: Teddy Rondinelli; San Fernando Valley Symphony Orchestra
Engineer: Joe Warda; Patrick Klein...
Producer: Carmine Appice...
Distributor: Universal Distribution

Notes: Audio Mixer: Pat Regan. Liner Note Author: Bill Dahl. Recording information: Electric Randyland (09/09/2004); Glendale Studios, CA (09/09/2004). Photographer: Marco Soccoli. The title of the album is Then and Now, and a sticker on the front of the CD's jewel box proclaims, "The greatest hits! The best collection ever! Includes 3 new songs!" The clear implication to the potential buyer is that this Vanilla Fudge album contains the original 1960s recordings of such hits as "You Keep Me Hangin' On," along with three recently recorded tracks. But that is not the case. Then and Now is an entirely newly recorded album on which the 2004 edition of Vanilla Fudge -- bassist Tim Bogert, guitarist Vince Martell, drummer Carmine Appice, and organist Bill Pascali (replacing original member Mark Stein) -- recreates its versions of songs that appeared on its Atco Records albums and singles of the '60s. (On one track, "Need Love," Martell is replaced by Teddy Rondinelli, as the San Fernando Valley Symphony Orchestra backs the band in a live recording.) The three new songs are the 1979 Rod Stewart hit "Da Ya Think I'm Sexy?" (which Appice co-wrote with Stewart while working as his drummer) and, oddly, versions of two hits by turn-of-the-21st-century boy bands, *NSYNC's "Tearin' Up My Heart" and the Backstreet Boys' "I Want It That Way." The performances are true to the Vanilla Fudge style, with slowed tempos, quotes from classical and traditional themes, and lengthy improvisation (eight of the 12 tracks run over six minutes), and the album certainly demonstrates that, almost 40 years into their career, the bandmembers retain their rock & roll chops admirably. But this is still an album of re-recordings packaged in such a way that the average fan could buy it mistakenly thinking it contained the original recordings. ~ William Ruhlmann

New York quartet Vanilla Fudge may not have remained in the pantheon of all-time greatest 1960s rock bands, but they're of huge historical importance. With an unprecedented combination of psychedelia (itself still a new commodity), hard rock, soul, and classical motifs, they prefigured everything from heavy metal to prog rock. The band's modus operandi was to take pop, rock, and R&B hits of the era and extend them to the breaking point, adding raga-like guitar lines, overdriven Hammond organ, screaming feedback, gargantuan distorted riffs, mountainous drumbeats, and impassioned vocals. Most often the original tempo of the song was slowed down drastically for maximum dramatic effect. Somewhere in England, the young men who would become known as Yes, Deep Purple, and numerous other bands, were listening with rapt attention.

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