Propaganda

Performer: Sparks
Distributor: Fontana Distribution

Notes: What better way to promote Sparks' spinning blender of demented pop than Propaganda? The band's fourth album (and second with producer Muff Winwood) is chock-full of great ideas, including the overseas hits "Something for the Girl With Everything" and "Never Turn Your Back on Mother Earth." With Russell Mael delivering the lyrics in his rapid-fire falsetto, the lyric sheet is a necessary compass, as the clever wordplay is a key to discovering what these pranksters are up to. Ron Mael's skewed take on relationships ("At Home, at Work, at Play," "Don't Leave Me Alone With Her") are nearly upstaged by the hyperactive arrangements, but when the words and the music click, it's pure magic. In fact, "Bon Voyage" might be the most sublime song they've ever written, teetering between genuine pathos for and lampooning of the plight of those left behind by Noah and his ark. Other highlights include "Achoo" (about, you guessed it, catching a cold) and "Who Don't Like Kids," in which Mael uncorks the opening lines "You got a cigar, here's a couple more/Because the offspring are springing through swinging doors" in a few seconds. The torrential outpouring of words and ideas, underscored by guitars and keyboards with oft-shifting rhythms, either repels or attracts listeners. Though the similarities to Queen are sometimes striking, they eschew that band's seriousness and epic guitar work, favoring hit-or-miss observations that suggest a cross between 10cc and the power pop of the late '70s. Propaganda remains one of Sparks' brightest achievements, brimming with a loopy charm that continued to captivate the open-minded English listeners, if not their close-minded countrymen in the U.S. [Note that European CD reissues in the late '90s include non-album B-sides from the record's two U.K. singles as bonus tracks: "Alabamy Right" and "Marry Me."] ~ Dave Connolly

From the very beginning Sparks was at odds with the conventional rock & roll archetype. Based around brothers Ron and Russell Mael, the band had an unusual sound and image, with Russell's freakishly high voice and Ron's glam-meets-cabaret keyboards and provocative Hitler moustache. After a few albums of quirky art rock that prefigured New Wave, Sparks hooked up with disco producer Giorgio Moroder in the late '70s for a danceable, synth-driven sound that proved well ahead of its time. Always more popular abroad than at home, the CA-born Maels were destined to remain beloved cult figures in America, but continued recording into the 21st century.

Click Here for Shipping Options and Policies

Shipping or Dimension weight in pounds: 0.5