Somewhere In Soho

Performer: Soft Machine
Distributor: E1 Distribution (USA)

Notes: Soft Machine: Robert Wyatt (vocals, drums); Elton Dean (saxello, alto saxophone); Mike Ratledge (electric piano, organ); Hugh Hopper (bass guitar). The sheer ubiquity of Soft Machine live recordings ensures that most fans look askance at any new arrivals to the collection. Too many poorly recorded, badly annotated, and, quite honestly, just plain boring CDs have crept out over the years -- hey, is another one really necessary? In this case, yes. Somewhere in Soho was recorded during the band's residency at Ronnie Scott's in London in late April 1970, with the classic Softs lineup of Mike Ratledge, Hugh Hopper, and Robert Wyatt joined by saxophonist Elton Dean -- the sole survivor from an earlier experiment with a brass section. The sound quality is not superb, but it's certainly eminently listenable, and the bandmembers themselves sound as relaxed as they ever could be, basically improvising around the contents of their second and third albums (Volume Two and Third) and taking some familiar material to fascinating places. Even Wyatt's "Cymbalism" showcase sounds fresh and exciting and, truly, how many times can you say that about an early-'70s drum solo? ~ Dave Thompson

A pioneering British psychedelic group in the late 1960s, Soft Machine eventually developed a unique, forward-thinking brand of jazz-rock tinged with progressive/experimental touches. As the leading light of the "Canterbury scene" (a loosely knit collection of like-minded Canterbury, Kent, England-based bands which also included Caravan and Gong), the combo came to define the jazz-rock genre and was hugely influential to the burgeoning jazz fusion and experimental rock scenes. Soft Machine is also notable as a springboard for the successful later careers of several of its members, including Robert Wyatt, Kevin Ayers, Allen Holdsworth, Andy Summers. Originally based around surreal, heady, rhythmic, harmonic, and melodic deconstructions of conventional pop song structures, Soft Machine's music eventually morphed into a much looser, more improvisational style that found favor with fans of American acts such as Weather Report and Return to Forever. After the departure of prime mover Wyatt, Soft Machine continued on in various incarnations for several decades, but to much less acclaim.

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