Graceland [Bonus Tracks] [Digipak] [Remaster]

Performer: Paul Simon
Artist: The Everly Brothers; Los Lobos; Ladysmith Black Mambazo; Youssou N'Dour; Alan Rubin; Jon Faddis; Ronnie Cuber; Linda Ronstadt; Randy Brecker; Adrian Belew
Producer: Paul Simon
Distributor: WEA (Distributor)

Notes: Personnel includes: Paul Simon (vocals, guitar); Linda Ronstadt, The Everly Brothers, Ladysmith Black Mambazo, General M.D. Shirinda, The Gaza Sisters, Joseph Shabalala (vocals); Adrian Belew (guitar, syntesizer guitar); Chikapa "Ray" Phiri, Daniel Xilakazi (guitar); Demola Adepoju (pedal steel); Forere Motloheloa, Jonhjon Mikhalali (accordion); Alex Foster (alto sax); Lenny Pickett (tenor sax); Ronnie Cuber (baritone saxophone); Earl Gardner, Jon Faddis, Randy Brecker, Lew Soloff, Alan Rubin (trumpet); Rob Mounsey (synthesizer); Baghiti Khumalo (bass); Vusi Khumalo (drums); Lulu Masilela (tambourine); Youssou N'Dour, Makhaya Mahlangu Ralph McDonald, Babacar Faye, Assane Thiam (percussion). Los Lobos: Cesar Rosas (vocals, guitar); David Hildago (vocals, guitar, accordion); Steve Berlin (saxophone); Conrad Lozano (bass); Louie Perez, Steve Gadd (drums). Engineers include: Roy Halee, Peter Thwaites, Mark Cobrin. Aired on VH-1 and PBS, GRACELAND includes interviews, performances, and additional footage not previously seen. Includes three previously unreleased bonus tracks. Personnel: Paul Simon (vocals, guitar, acoustic guitar, Synclavier, 6-string bass); Ladysmith Black Mambazo, The Everly Brothers, Linda Ronstadt (vocals); Los Lobos, The Boyoyo Boys (various instruments); Ray Phiri (guitar); Demola Adepoju (pedal steel guitar); Ronnie Cuber (baritone saxophone, bass saxophone); Jon Faddis, Alan Rubin (trumpet); Adrian Belew (synthesizer, guitar synthesizer); Bakithi Kumalo (bass guitar); Steve Gadd (drums); Youssou N'Dour (percussion). Through the mist of subsequent pale imitations, it is difficult now to recall the enormous impact of this trans-cultural album. The mould-breaking blend of rock and African rhythms is exemplified by "Homeless," an exquisitely melancholic evocation of African beauty and desolation. The stirring harmonies of Ladysmith Black Mambazo illuminate "Homeless" and "Diamonds On The Soles Of Her Shoes." The element of humour in the latter is echoed in "You Can Call Me Al," a hit single. The lyrics are finely crafted and the result is a structure of impeccable proportions. There are angels in the architecture.

Rolling Stone (11/89) - Ranked #5 in Rolling Stone's list of the "100 Best Albums Of The Eighties." Rolling Stone (12/11/03, p.116) - Ranked #81 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Simon created an album about isolation and redemption that transcended 'world music' to become the whole world's soundtrack..."

Besides being one-half of pop's legendary duo Simon & Garfunkel would be enough for most people, but Paul Simon went on to reap just as much acclaim and success as a solo artist. In the 1970s, he was at the vanguard of the singer-songwriter movement, marrying brainy lyrics with sophisticated pop music. In the '80s, he was one of the first pop artists to successfully combine world music into his sound, resulting in the South African flavor of Simon's landmark GRACELAND album, and subsequent flirtations with Brazilian and Latin styles.

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