Standing at the Crossroads [Bonus Tracks]

Performer: Johnny Shines
Producer: Pete Welding
Distributor: City Hall

Notes: Personnel: Johnny Shines (vocals, guitar). Liner Note Author: Pete Welding. Recording information: Altadena, CA (11/11/1970/11/17/1970). This is one of several albums this artist made in the early '70s that stand as a masterpiece of the acoustic country blues genre. Johnny Shines had begun recording in the mid-'60s, the albums done with electric guitar and full-combo backup, one of them reportedly cut after he hadn't picked up an instrument in years. It was as if he reinvented himself in the following decade, playing pristine and flawless acoustic slide guitar pieces complete with shuffling, stuttering, and stimulatingly complicated tempos. The message was that he had been a young sidekick to Robert Johnson and had absorbed everything, although no deal had been made with the Devil. Shines was a steady, dependable, religious, and forthright chap who lived in Tuscaloosa, AL, and held down a steady job as a construction foreman. Mild-mannered and extremely intellectual, he let loose the reserve of emotion when doing a Delta blues number. The magic and heart were in his fingertips as well as in his voice, which sounds stupendous here. The emergence of the Johnson song canon into his repertoire, done with almost Baroque detail, was also something of a revelation. Some of Shines' earlier albums had featured songs that almost seemed made up on the spot. He was good at that, and was rumored to have played whole sets that were completely improvised when working the country juke joints of his home state, but on this album he showed what he could do when sinking his teeth into a bona fide blues classic. "Kind Hearted Woman" is the musical equivalent of an absolutely perfect chopped-barbecue sandwich with sauce the way they do it in Tuscaloosa, and obviously of much less offense to vegetarians when taken in this form. There were 11 perfect songs chosen by Pete Welding from his set of recording sessions for this project. Once again this great producer has come up with a blues release that is basically a required item for any good collection of this genre. ~ Eugene Chadbourne This is one of several albums this artist made in the early '70s that stand as a masterpiece of the acoustic country blues genre. Johnny Shines had begun recording in the mid-'60s, the albums done with electric guitar and full-combo backup, one of them reportedly cut after he hadn't picked up an instrument in years. It was as if he reinvented himself in the following decade, playing pristine and flawless acoustic slide guitar pieces complete with shuffling, stuttering, and stimulatingly complicated tempos. The message was that he had been a young sidekick to Robert Johnson and had absorbed everything, although no deal had been made with the Devil. Shines was a steady, dependable, religious, and forthright chap who lived in Tuscaloosa, AL, and held down a steady job as a construction foreman. Mild-mannered and extremely intellectual, he let loose the reserve of emotion when doing a Delta blues number. The magic and heart were in his fingertips as well as in his voice, which sounds stupendous here. The emergence of the Johnson song canon into his repertoire, done with almost Baroque detail, was also something of a revelation. Some of Shines' earlier albums had featured songs that almost seemed made up on the spot. He was good at that, and was rumored to have played whole sets that were completely improvised when working the country juke joints of his home state, but on this album he showed what he could do when sinking his teeth into a bona fide blues classic. "Kind Hearted Woman" is the musical equivalent of an absolutely perfect chopped-barbecue sandwich with sauce the way they do it in Tuscaloosa, and obviously of much less offense to vegetarians when taken in this form. There were 11 perfect songs chosen by Pete Welding from his set of recording sessions for this project. Once again this great producer has come up with a blues release that is basically a required item for any good collection of this genre. [The 1995 edition included bonus tracks.] ~ Eugene Chadbourne

Delta bluesman Johnny Shines is most famous for having traveled and performed with Robert Johnson in the '30s, but his career extended several decades beyond Johnson's. He eventually wound up in Chicago, where he recorded for Job Records, but like many blues players of his generation Shines drifted out of music. In the late '60s he was among those whose careers were given a fresh start via "rediscovery" by the folk-revival generation. Shines began recording and performing again with a vengeance, his gritty voice and slide guitar still powerful. Failing health slowed him down in the early '80s, but even then he continued to play until his death in 1992.

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