La Camorra

Astor Piazzolla
Release Date: 05/18/1999
Original Release:  1980
# of Discs:   2
J&R Item # 133683_CD
UPC # 075597951622
Label: Nonesuch Records (USA)
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Track Details Credits Reviews Artist Related Shipping
Disc: 1
1. Soledad sound samples  real  |  windows media
2. Camorra, La sound samples  real  |  windows media
3. Camorra II, La sound samples  real  |  windows media
4. Camorra III, La sound samples  real  |  windows media
5. Fugata sound samples  real  |  windows media
6. Sur: Los Suenos (South: The Dreams) :: South: The Dreams sound samples  real  |  windows media
7. Sur: Regresso Al Amor (South: Regression To Love) :: South: Regression To Love sound samples  real  |  windows media

To listen to sound clips, you'll need the most current version of the real player real or windows media windows media players, click to download the FREE software.
Performer: Astor Piazzolla
Artist: Fernando Suarez Paz; Pablo Ziegler; Horacio Malvicino; Hector Console
Engineer: Dave Baker; David Stone; Jon Fausty
Producer: Kip Hanrahan
Distributor: WEA (Distributor)

Notes: Personnel includes: Astor Piazzolla (bandoneon); Horacio Malvicino (guitar); Fernando Suarez Paz (violin); Pablo Ziegler (piano); Hector Console (bass). Personnel: Astor Piazzolla (bandoneon); Horacio Malvicino (electric guitar); Fernando Su�rez Paz (violin); Pablo Ziegler (piano). Liner Note Author: Fernando Gonzalez. Recording information: Master Sound Astoria Studios, Astoria, NY (05/1988); Mastersound, Astoria, New York, NY (05/1988). Arranger: Astor Piazzolla. Recorded with his quintet and originally released in the late '80s, La Camorra features some of tango master Astor Piazzolla's finest moments. The album was recorded after Piazzolla's last major U.S. tour, and La Camorra highlights the intensity of his composition as well as his playing. ~ Heather Phares
Down Beat - 5 Stars - Outstanding
While tango had long been associated with the dancehalls of Buenos Aires, Astor Piazolla reinvented the music for the concert stage. In the 1950s and 1960s, he infused tango with the oblique harmonies of jazz and classical music, as well as new instruments such as electric guitar, and although he may have alienated traditionalists, he gained a worldwide audience seduced by his music's exotic beauty. Over the course of five decades, Piazolla continually expanded the scope of the tango--or "tango nuevo," as his music came to be called--to produce a wealth of inventive, emotionally rich music. He died in 1992.
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PID # 3815200


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