The Best of Odetta

Odetta
Release Date: 11/07/2006
Original Release:  1967
# of Discs:   1
J&R Item # 950283_CD
UPC # 090431085820
Label: Collectables Records
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Disc: 1
1. He's Got the Whole World in His Hands sound samples  real  |  windows media
2. Lowlands sound samples  real  |  windows media
3. Fox, The sound samples  real  |  windows media
4. Lass of the Los Countree sound samples  real  |  windows media
5. Devilish Mary sound samples  real  |  windows media
6. Take This Hammer sound samples  real  |  windows media
7. Greensleeves sound samples  real  |  windows media
8. Deep River sound samples  real  |  windows media
9. Chilly Winds sound samples  real  |  windows media
10. If I Had a Ribbon Bow sound samples  real  |  windows media
11. Shame and Scandal sound samples  real  |  windows media
12. 'Buked and Scorned sound samples  real  |  windows media
13. Joshua sound samples  real  |  windows media
14. Glory, Glory sound samples  real  |  windows media
15. Been in the Pen sound samples  real  |  windows media
16. Deep Blue Sea sound samples  real  |  windows media
17. God's Gonna Cut You Down sound samples  real  |  windows media
18. Spiritual Trilogy sound samples  real  |  windows media

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Performer: Odetta
Distributor: Select-O-Hits

Notes: Personnel: Odetta (vocals, guitar). The title The Best of Odetta sets a standard that the contents of this disc are unable to meet, even though the material is valuable. It would be difficult to assemble a true Odetta best-of, because the folksinger's recordings are extensive and have covered the labels Fantasy (1954-1955), Tradition (1956-1957), Vanguard (1959-1962 with releases continuing into 1963), Riverside (1962), RCA Victor (1962-1965), and Verve Folkways (1966-1967). But the concern here is solely the Tradition material, which consists of a total of 31 tracks that originated on two albums, Odetta Sings Ballads and Blues (1956) and Odetta at the Gate of Horn (1957). The Best of Odetta is a truncated repackaging of this material, an 18-track disc excerpting nine selections from Odetta at the Gate of Horn followed by nine from Odetta Sings Ballads and Blues. On it, an Odetta in her mid-twenties gives mesmerizing performances of traditional folk and blues standards in her trademark contralto, accompanying herself on acoustic guitar or singing a cappella. (Bill Lee plays bass on the tracks from Odetta at the Gate of Horn.) These are good performances, and any folk fan should have some version of the Tradition recordings. But the album's title makes a promise the music itself does not keep. (The Best of Odetta has been reissued under the title The Best of Odetta: Ballads & Blues.) ~ William Ruhlmann
Taking inspiration from classic blues singers and folk troubadours of the 1930s and '40s and predating the folk boom of the '60s, Odetta remains one of the most important yet often overlooked artists of the American musical tradition. Her unique, politically charged fusion of blues, traditional Negro spirituals, and American folk songs was a profound influence on a generation of artists from Bob Dylan and Joan Baez to Tracy Chapman. Odetta continued to perform well after her heyday, remaining both fiercely political and artistically engaging.
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Country Blues  
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PID # 4142540


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