Rock N Roll Jesus [PA]

Performer: Kid Rock
Engineer: Kid Rock; Rob Cavallo; Al Sutton; Mike E. Clark
Producer: Kid Rock; Rob Cavallo; Mike E. Clark; Kid Rock; Rob Cavallo
Distributor: WEA (Distributor)

Notes: Personnel: Kid Rock (guitar, acoustic guitar, lap steel guitar, banjo, piano, Moog synthesizer, talk box, drums, percussion, programming); Marlon Young (vocals, guitar, acoustic guitar, 12-string guitar, lap steel guitar, mandolin); Al Sutton (vocals); Kenny Tudrick (guitar, drums); Jason Krause, Bobby East (guitar); Jimmie Bones (harp, piano, keyboards, background vocals); Connie Ellisor, Karen Winkelmann, Eberhard Ramm, Bettie Ross, Jim Grosjean, Anthony LaMarchina, Carl Gorodetzky, Pamela Sixfin, Alan Umstead, Catherine Umstead, Gary VanOsdale, Carole Rabinowitz-Neuen (strings); Rayse Biggs (trumpet, horns); Tim Akers (piano); Lawrence Fratangelo (drums, congas, timbales); Stefanie Eulinberg (drums, background vocals); Aaron Julison, Andre N. Jones, Barbara Payton, Karen Newman, Laura Creamer, Sylver Logan Sharp, Thornetta Davis (background vocals). Audio Mixers: Kid Rock; Rob Cavallo; Al Sutton. Recording information: Blackbird Studios, Nashville, TN; East Iris Studios, Nashville, TN; The Allen Roadhouse. Author: Kid Rock. Photographer: Clay Patrick McBride. Unknown Contributor Roles: Paul T. Kwami; Wesley Trigg. Once the straight country-rock of his single "Cocky" struck a chord with the public, Kid Rock seemed more interested in filling the shoes of Southern rock pioneers Lynyrd Skynyrd than upholding his throne as hip-hop's white trash punk. His 2007 album ROCK N ROLL JESUS completes that transition. A big album that bowls straight up the middle, ROCK N ROLL JESUS is Kid's homage to the grits and gravy of classic rock, a 21st-century update of FM radio fare from the 1970s. Gone for most part is his hip-hop posturing and in-your-face putdowns; in their place are invocations of Skynyrd, Bob Seger, Steve Miller, and the like. "All Summer Long," a bouncy, sunny tune that bears a striking resemblance to "Sweet Home Alabama," is a case in point; while "Roll On" has the smooth-rolling feel of the Eagles' early work. Rock cuts loose, to be sure, as on the head-banging "So Hott," but even these tracks are injected with a retro feel, summoning classic AC/DC more than anything from the '00's. Longtime Rock fans might miss the bad attitude, but fans of classic '70s rock should feel right at home.

Rolling Stone (p.720) - 4 stars out of 5 -- "[H]is good-hearted faith in rock & roll delivers a powerful kick....[With] roaring guitars, truckloads of attitude and an unquenchable lust for life..." Entertainment Weekly (p.73) - "The title track is a nondenominational, AC/DC-style tribute to Rock's rockingness." -- Grade: B Uncut (p.98) - 3 stars out of 5 -- "[T]he reflective moments are best, notably the infectious 'All Summer Long', which melds Warren Zevon's 'Werewolves Of London' with 'Sweet Home Alabama'..." Mojo (Publisher) (p.98) - 3 stars out of 5 -- "Rock once again draws on his Michigan roots but this time crosses the tracks and tips his Fedora to Bob Seger and Motown..."

Self-proclaimed "King of White Trash" (and proud of it), Kid Rock took his rap-meets-rock-meets-country hybrid to the top of the charts. After opening as a bratty hip-hop artist in the Beastie Boys mode in the early-'90s, Kid came back with a vengeance, diminutive rapper Joe C by his side, on the 1998 smash DEVIL WITHOUT A CAUSE. With a pimp/stud schtick worked to the hilt, he's an outspoken rock & roll spotlight-grabber the likes of which hasn't been seen since the glory days of David Lee Roth. He even betrayed his mellower side on the trail ballad and 2002 hit duet with Sheryl Crow, "Picture."

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