Nashville

Ian & Sylvia
Release Date: 04/14/1994
Original Release:  1968
# of Discs:   1
J&R Item # 164530_CD
UPC # 015707928427
Label: Vanguard Records (USA)
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Track Details Credits Related Shipping
Disc: 1
1. Mighty Quinn, The sound samples  real  |  windows media
2. This Wheel's on Fire sound samples  real  |  windows media
3. Farewell to the North sound samples  real  |  windows media
4. Taking Care of Business sound samples  real  |  windows media
5. Southern Comfort sound samples  real  |  windows media
6. Ballad of the Ugly Man sound samples  real  |  windows media
7. 90 Degress X 90 Degress sound samples  real  |  windows media
8. She'll Be Gone sound samples  real  |  windows media
9. London Life sound samples  real  |  windows media
10. Renegade, The sound samples  real  |  windows media
11. House of Cards sound samples  real  |  windows media

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Performer: Ian & Sylvia
Artist: Jerry Reed
Engineer: Jack Lothrop
Producer: Ian Tyson
Distributor: Welk

Notes: Ian & Sylvia: Ian Tyson (vocals, guitar); Sylvia Fricker (vocals). Additional personnel: David Rea (guitar, banjo); Fred Carter, Pete Drake, Harold Bradley, Jerry Reed (guitar); Tommy Jackson, Buddy Spicher (fiddle); Bob Moore, Kenny Kalmusky, Norbert Putnam (bass); Buddy Saltzman, Ken Buttrey (drums). Recorded in Nashville, Tennessee in February 1968. Like all of Ian & Sylvia's post-1965 albums from the '60s, on first hearing, this is disappointing in comparison to their early folk albums, though it tends to grow on one and offer some satisfactions upon closer inspection. The duo recorded this in Nashville in early 1968, just as making albums in the city started to become in vogue among rock musicians. Some of the cuts have an early country-rock feel that did show them moving ahead artistically, though the pair were not among the most distinguished country-rockers. A couple of covers of songs from Bob Dylan's basement tapes, "Wheel's on Fire" and "The Mighty Quinn," got the most attention, and were the most country-rock-oriented of the tunes. Sometimes, though, it was devoted to originals that leaned more toward the dual harmonizing that was their forte, with mild rock arrangements. While such efforts in this vein as "Taking Care of Business," "Ballad of the Ugly Man," and "She'll Be Gone" were not among their most outstanding efforts, they were characteristically pleasing. Ian Tyson's "House of Cards" had an earnest foreboding not far in mood lyrically from "Wheel's on Fire," and like the cover of guitarist David Rea's "90 Degrees by 90 Degrees," had some subtle orchestration. ~ Richie Unterberger
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PID # 3821428


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