International Superhits!

Performer: Green Day
Engineer: Joe McGrath
Distributor: WEA (Distributor)

Notes: Green Day: Billie Joe (vocals, guitar, mandolin, harmonica); Mike Dirt (vocals, Farfisa organ, bass); Tre Cool (accordion, drums, percussion). Producers: Green Day, Jerry Finn, Rob Cavallo. Audio Mixers: Chris Lord-Alge; Green Day; Jack Joseph Puig; Jerry Finn; Kevin Army ; Rob Cavallo. Recording information: Studio 890, Oakland, CA. Photographer: Marina Chavez. Filling in grunge's fading pop appeal, Green Day and peers Offspring and Rancid kicked off a neo-punk revolution in the mid-90s still reverberating seven years later with bands like Blink-182 and Fenix TX. INTERNATIONAL SUPERHITS is a compact overview of the band's career-making major label run starting with 1994's DOOKIE right up to new songs like the rambunctious "Maria" and choppy charm of "Poprocks And Coke" recorded specifically for this compilation. D.I.Y. to the core, Billie Joe Armstrong, Mike Dirt and Tre Cool clung to K.I.S.S. (Keep It Simple Stupid) best exemplified by the straightforward punk of "Jaded". Basic ingredients include punchy guitar chords, undeniable hooks and tight harmonies that can be heard in their breakthrough rant against ennui ("Longview") and equally strident latter-day anthem for the underdog ("Minority"). Armstrong's constantly improving songwriting found him spitting out gems like the infectious "When I Come Around," inadvertent prom theme "Good Riddance (Time Of Your Life)" and brilliant heavy mass "Brain Stew". Although Green Day missed the original wave of late '70s punks like The Clash and The Jam, INTERNATIONAL SUPERHITS! proves this San Francisco pop-punk trio wouldn't have had much trouble fitting in alongside these legendary names.

Q (11/01, p.137) - 4 out of 5 stars - "...Proves Green Day merely got better at writing songs..."

Coming out of the grass-roots Gilman St. punk scene of the early-1990s Bay Area, Green Day exploded into the mainstream with their third album, 1994's DOOKIE. The trio's punk energy and pop hooks, influenced by first-generation punks like the Buzzcocks, in turn inspired a huge legion of punk-pop followers. Their energy level flagged a bit following the smash success of DOOKIE, but the band's enormously successful 2004 Grammy-winning political concept album, AMERICAN IDIOT, proved they were mature artists and far from a one-trick pony.

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