Shenanigans

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Performer: Green Day
Distributor: WEA (Distributor)

Notes: SHENANIGANS compiles b-sides, an import-only release, and vinyl single cuts recorded during sessions for the band's studio albums. It also contains one previously unreleased song. Green Day: Billie Joe (vocals, guitar); Mike Dirnt (vocals, bass); Tre Cool (drums). Compilation producers: Rob Cavallo, Green Day. Serving as the perfect companion compilation to 2001's INTERNATIONAL SUPERHITS! collection, SHENANIGANS delivers an assortment of rarities, B-sides, covers, and previously unreleased material. Throughout this 14-track anthology, it's easy to hear how Green Day was able to successfully make the transition from scruffy skate-punks to unofficial heads of the nouveau-punk movement that became the mainstream in the mid-'90s. Staccato riffs, hooks aplenty, and lots of harmonizing are just part of the engine that drives cuts like the thunderous "Suffocate," the relentlessly driving "I Want To Be On T.V." and the pogo-worthy workout that is the previously unreleased "Ha Ha You're Dead." Surprises include the ambling pop of "On The Wagon," sterling surf instrumental "Espionage," and spot-on covers of the Ramones (a wildly infectious "Outsider") and The Kinks (a worthy "Tired Of Waiting For You"). SHENANIGANS reinforces Green Day's rep for creating quality pop-punk. This collection of odds and sods could easily pass as any other group's A list canon.

Q (8/02, p.138) - 3 stars out of 5 - "...Consistently charming....Even the least essential tracks here could teach pretenders to the their crown a thing or two..." Alternative Press (8/02, p.78) - 7 out of 10 - "...An infectious collection of unrealeased tracks..." NME (Magazine) (7/13/02, p.38) - 7 out of 10 - "...30 toned minutes of, erm, Green Day. No acoustic stinkers. No Live And Unrehearsed At K-ROQ radio sessions. No remixes. Just Green Day, playing solid, familiar idiot-savant punk rock..."

Coming out of the grass-roots Gilman St. punk scene of the early-1990s Bay Area, Green Day exploded into the mainstream with their third album, 1994's DOOKIE. The trio's punk energy and pop hooks, influenced by first-generation punks like the Buzzcocks, in turn inspired a huge legion of punk-pop followers. Their energy level flagged a bit following the smash success of DOOKIE, but the band's enormously successful 2004 Grammy-winning political concept album, AMERICAN IDIOT, proved they were mature artists and far from a one-trick pony.

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