Engineer: David Henson; Joe Chiccarelli...
Producer: Richard Sanford Orshoff...
Distributor: Universal Distribution
Notes: Poco: Rusty Young (vocals, pedal steel guitar); Paul Cotton (vocals, guitar); Kim Bullard (keyboards); Charlie Harrison (bass); Steve Chapman (drums). Personnel: Rusty Young (vocals, guitar, steel guitar); Paul Cotton (vocals, guitar); Charlie Harrison (vocals, drums); Phil Kenzie (saxophone); Jai Winding, Tom Stephenson (keyboards); Michael Boddicker (synthesizer); Steve Chapman (drums); Steve Forman (percussion). Audio Mixer: Joe Chiccarelli. Recording information: Crystal Studios, Hollywood, CA (04/1978-08/1978). Poco's biggest-selling album of all time also presented the biggest personnel change at one time for the then-decade-old group, whose lineup had hardly been a model of stability up to that time. Co-founding drummer/singer George Grantham and longtime bassist/singer Timothy B. Schmit were both gone, the latter off to the Eagles. Listening to parts of this album, one gets the sense that, with the arrival of Charlie Harrison (bass, harmony vocals) and Steve Chapman (drums) in the group, Poco was deliberately adopting a change in sound similar to what the Eagles went through when Joe Walsh joined, into much harder rocking territory, at least part of the time. Longtime fans were probably disheartened to hear Rusty Young and Paul Cotton give up any semblance of their country roots on the opening track, "Boomerang," a bracing, heavy rock number (for this band) that didn't sound a great deal like the Poco of previous years. Most of the rest of the album, however, was closer to what one wanted and expected from this band -- "Spellbound" a beautifully lyrical ballad that benefited from Young's instrumental range and his and Cotton's harmonizing, and Cotton's "Barbados" offering similarly alluring musical textures with more of a beat. Cotton's "Heart of the Night," however, dominated everything around it, as one of the most finely crafted songs in the group's history, highlighted by a beautiful sax solo from Phil Kenzie. And then there's "Crazy Love" (composed by Rusty Young), with its soft, ethereal textures, which was a little lightweight for this band but unassuming enough to dominate the adult contemporary charts at the time. Young's "The Last Goodbye" and "Legend" closed out the album on a more thickly textured, higher-wattage note, representing the group's newer sound, the latter with a memorably driving beat that, with "Boomerang," bookended the album. ~ Bruce Eder
CMJ (1/5/04, p.6) - Ranked #13 in CMJ's "Top 20 Most-Played Albums of 1979".
Poco was part of the first wave of West Coast country-rock bands, emerging from the ashes of the seminal Buffalo Springfield and initially built around Springfield's singer/guitarist Richie Furay and producer/sessionman Randy Meisner. They combined the harmony-laden folk-rock sound of the '60s with a country twang (mostly courtesy of pedal steel guitarist Rusty Young) and made a few noted country-rock albums in the early '70s before their sound turned slicker and poppier later in the decade.
Also Appears On:
Alabama American Flyer Band (The) Batdorf & Rodney Beachwood Sparks Bread Brewer & Shipley Buffett, Jimmy Cowboy Crosby, Stills & Nash Dillard & Clark Dr. Hook Eagles England Dan Fools Gold Goose Creek Symphony Great Speckled Bird Hearts & Flowers Heartsfield Jayhawks (The) Little River Band Loggins & Messina Marshall Tucker Band (The) Mason Proffit Messina, Jim Nelson, Rick Nesmith, Michael Pablo Cruise Prelude Pure Prairie League Rabbitt, Eddie Restless Heart Ronstadt, Linda Shenandoah Smith, Russell Souther, J. D. Stevens, Cat Swampwater The Amazing Rhythm Aces The Flying Burrito Brothers The Nitty Gritty Dirt Band Thorns (The) Tyde (The) Young, Neil
Beatles (The) Buffalo Springfield Byrds (The) Cash, Johnny Day, Jimmy Dillards (The) Dylan, Bob Everly Brothers (The) Ian & Sylvia Lovin' Spoonful (The) Nashville West Parsons, Gram Poor (Garage) (The) The Beau Brummels West, Speedy
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